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Conversation with Carlos
Author: Beatriz Escobar
My interest in connecting with the Danish art collective SUPERFLEX comes from identifying intersections between our practices. Their project “Guaraná Power” brought them to the spotlight in the São Paulo Biennial. Both our projects took place in remote Amazonas riverine communities, funded by northern countries, with the majority of the team consisting of white people who didn’t speak the local language. There were many important differences too, which I won’t get to right now.
